NONESUCH · HC-73018

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1. A1 I. Peace Three 3:08
2. II. Signal Generators
3. A. Sine Waveform
4. A2a 1. Slow-Motion Audible Example 0:05
5. A2b 2. Composition 0:50
6. A2c 3. Harmonic Synthesis 0:33
7. A2d 4. Non-Harmonic Synthesis 0:37
8. B. Sawtooth Waveform
9. A3a 1. Slow-Motion (Negative- And Positive-Going) 0:12
10. A3b 2. Composition 0:34
11. C. Rectangular Waveform
12. A4a 1. Slow-Motion Audible Example (1/8-1/2) 0:28
13. A4b 2. Composition (Using 1/8, 1/7, 1/3, 1/2) 0:35
14. D. Triangular Waveform
15. A5a 1. Slow-Motion Audible Example 0:05
16. A5b 2. Composition 0:20
17. -
18. A6 E. White Sound Composition 0:13
19. III. Control Generators
20. A7a A. Transient Generator, Amplitude, Frequency And Timbre Modulating In Slow-Motion 0:08
21. A7b B. Sequential Voltage Sources. Composition 1:55
22. IV. Frequency Modulation
23. A. Keyboard Control
24. B1a 1. 12-Tone 0:32
25. B1b 2. Quarter-Tone (One Real Octave = 2 Keyboard Octaves) 0:40
26. B1c 3. Ditone (Four Real Octaves Played In Keyboard Range Of One Octave) 0:31
27. B1d 4. Portamento 0:23
28. -
29. B2 B. Ribbon Control 0:30
30. C. Periodic
31. B3a 1. Vibrato Ⓢ (Speed Increases As Pitch rises) 0:28
32. B3b 2. Sine-Higher Frequency 0:27
33. B3c 3. Sawtooth-Swept 0:38
34. B3d 4. Rectangular 1/2-Swept L2 0:32
35. B3e 5. Triangular-Swept 0:31
36. D. Periodics Combined
37. B4a 1. 3 Square Waves At Different Frequencies 0:28
38. B4b 2. 3 Triangular Waves At Different Frequencies 0:37
39. B4c 4 Different Waveforms 2L 2N 2V 2S At Different Frequencies 0:46
40. -
41. B5 E. White Sound 0:12
42. F. Transient
43. B6a 1. Up An Octave, Back To Pitch 0:17
44. B6b 2. Up A 3rd, Back To Pitch 0:07
45. B6c 3. Down An Octave, Back To Pitch 0:09
46. B6d 4. Down A 3rd, Back To Pitch 0:13
47. V. Amplitude Modulation
48. C1 A. Keyboard 0:13
49. C2 B. Ribbon Controller 0:10
50. C. Periodic
51. C3a 1. Tremolo 0:25
52. C3b 2. Sine-Higher Frequencies (S Sweeping S) 0:47
53. C3c 3. Sawtooth (Negative- And Positive-Going Swept) 1:20
54. C3d 4. Rectangular-L2 Swept 0:28
55. C3e 5. Triangular-Swept 0:50
56. D. Periodics Combined
57. C4a 1. 4 Square 0:44
58. C4b 2. 3 Triangular 0:23
59. C4c 3. 4 Different Ⓢ, Ⓝ, 2L, Ⓥ 0:23
60. -
61. C5 E. White Sound 0:38
62. F. Transient
63. C6a 1. Slow 0:08
64. C6b 2. With Rising Pitch 0:15
65. C6c 3. ∧∧∧∧∧ 0:14
66. VI. Ring Modulation
67. A. Sine Waves
68. C7a 1. Series Of Sub-Audible Constants 2:00
69. C7b 2. Tune In Parallel 0:40
70. C7c 3. Tuned In Opposite Direction 0:30
71. -
72. C8 B. Sawtooth 0:33
73. C9 C. Rectangular L2 0:39
74. VII. Filtering
75. D1 A. White Sound - With Fixed Filters Selected 3rd Octave 0:25
76. B. White-Sound-Tuned Filters
77. D2a 1. Broad 0:43
78. D2b 2. Sharp 0:25
79. -
80. D3 C. Low-Frequency Sawtooth-Tuning Through Harmonics 1:05
81. D4 D. Composition-Tuning Through 2nd, 3rd, 7th And 16th Harmonics 0:50
82. D5 E. Swept With Ribbon Controller 0:40
83. F. Periodic
84. D6a 1. Sine-Timbre Vibrato Effect 0:25
85. D6b 2. Sine-Variable Rate And Depth 0:36
86. D6c 3. Sawtooth (Descending And Ascending) 0:50
87. D6d 4. Rectangular
88. G. Transient (Sawtooth With Transient Controlled Filter)
89. D7a 1. ----------------- 0:12
90. D7b 2. ----------------- 0:10
91. D7c 3. ------------------ 0:09
92. D7d 4. ------------------ 0:08
93. VIII. Tape Delay
94. D8 A. Single Repeat 0:13
95. D9 B. Multiple Repeat 2:55
96. -
97. D10 IX. Peace Three (Recap) 3:08

• 1:05 Beaver & Krause - Low Frequency Sawtooth - Tuning Through Harmonics ('68)

Dedication: "To Denise & Robert A. Moog" Introduction to and survey of electronic music. All work realised on the Moog Series III Synthesizer. Excluding A1 and D10, each section is broken down into various examples. Recorded and processed with the Dolby A 301 Noise-Reduction System. Released with a 16-page book which includes the musical score of the A1 track : Peace Three - Notes to the track titles- Some tracks are represented by graphical symbols that are not reproducible in unicode, especially the following: B3d: 'L2' is encircled. B4c: '2L', '2N', '2V', '2S' are all encircled B6a to B6d are preceded with a drawn line, all in a different shape C3d and C4c: 'L2' is encircled C6a is preceded by a drawn shaped line C6b is preceded by drawn angles C6c is approximated, but the inverted chevrons all show a different angle. C9: 'L2' is encircled. D7a and D7b are represented by drawn lines, slightly tilting. D7c and D7d are represented by drawn lines with a slight angle around the middle. "ARC" in matrix indicates Allentown Record Company. Text is lightly etched, including the potential processing date, as noted on ARC page. "RL" in runout indicates Bob Ludwig. RL not present on side 4 runout and catalog number is hyphenated, other three sides are not.