NONESUCH · HC-73018

1 pressing £22+ Choose →

1. A1 I. Peace Three 3:08
2. II. Signal Generators
3. A. Sine Waveform
4. A2a 1. Slow-Motion Audible Example 0:05
5. A2b 2. Composition 0:50
6. A2c 3. Harmonic Synthesis 0:33
7. A2d 4. Non-Harmonic Synthesis 0:37
8. B. Sawtooth Waveform
9. A3a 1. Slow-Motion (Negative- And Positive-Going) 0:12
10. A3b 2. Composition 0:34
11. C. Rectangular Waveform
12. A4a 1. Slow-Motion Audible Example (1/8-1/2) 0:28
13. A4b 2. Composition (Using 1/8, 1/7, 1/3, 1/2) 0:35
14. D. Triangular Waveform
15. A5a 1. Slow-Motion Audible Example 0:05
16. A5b 2. Composition 0:20
17. -
18. A6 E. White Sound Composition 0:13
19. III. Control Generators
20. A7a A. Transient Generator, Amplitude, Frequency And Timbre Modulating In Slow-Motion 0:08
21. A7b B. Sequential Voltage Sources. Composition 1:55
22. IV. Frequency Modulation
23. A. Keyboard Control
24. B1a 1. 12-Tone 0:32
25. B1b 2. Quarter-Tone (One Real Octave = 2 Keyboard Octaves) 0:40
26. B1c 3. Ditone (Four Real Octaves Played In Keyboard Range Of One Octave) 0:31
27. B1d 4. Portamento 0:23
28. -
29. B2 B. Ribbon Control 0:30
30. C. Periodic
31. B3a 1. Vibrato Ⓢ (Speed Increases As Pitch rises) 0:28
32. B3b 2. Sine-Higher Frequency 0:27
33. B3c 3. Sawtooth-Swept 0:38
34. B3d 4. Rectangular 1/2-Swept L2 0:32
35. B3e 5. Triangular-Swept 0:31
36. D. Periodics Combined
37. B4a 1. 3 Square Waves At Different Frequencies 0:28
38. B4b 2. 3 Triangular Waves At Different Frequencies 0:37
39. B4c 4 Different Waveforms 2L 2N 2V 2S At Different Frequencies 0:46
40. -
41. B5 E. White Sound 0:12
42. F. Transient
43. B6a 1. Up An Octave, Back To Pitch 0:17
44. B6b 2. Up A 3rd, Back To Pitch 0:07
45. B6c 3. Down An Octave, Back To Pitch 0:09
46. B6d 4. Down A 3rd, Back To Pitch 0:13
47. V. Amplitude Modulation
48. C1 A. Keyboard 0:13
49. C2 B. Ribbon Controller 0:10
50. C. Periodic
51. C3a 1. Tremolo 0:25
52. C3b 2. Sine-Higher Frequencies (S Sweeping S) 0:47
53. C3c 3. Sawtooth (Negative- And Positive-Going Swept) 1:20
54. C3d 4. Rectangular-L2 Swept 0:28
55. C3e 5. Triangular-Swept 0:50
56. D. Periodics Combined
57. C4a 1. 4 Square 0:44
58. C4b 2. 3 Triangular 0:23
59. C4c 3. 4 Different Ⓢ, Ⓝ, 2L, Ⓥ 0:23
60. -
61. C5 E. White Sound 0:38
62. F. Transient
63. C6a 1. Slow 0:08
64. C6b 2. With Rising Pitch 0:15
65. C6c 3. ∧∧∧∧∧ 0:14
66. VI. Ring Modulation
67. A. Sine Waves
68. C7a 1. Series Of Sub-Audible Constants 2:00
69. C7b 2. Tune In Parallel 0:40
70. C7c 3. Tuned In Opposite Direction 0:30
71. -
72. C8 B. Sawtooth 0:33
73. C9 C. Rectangular L2 0:39
74. VII. Filtering
75. D1 A. White Sound - With Fixed Filters Selected 3rd Octave 0:25
76. B. White-Sound-Tuned Filters
77. D2a 1. Broad 0:43
78. D2b 2. Sharp 0:25
79. -
80. D3 C. Low-Frequency Sawtooth-Tuning Through Harmonics 1:05
81. D4 D. Composition-Tuning Through 2nd, 3rd, 7th And 16th Harmonics 0:50
82. D5 E. Swept With Ribbon Controller 0:40
83. F. Periodic
84. D6a 1. Sine-Timbre Vibrato Effect 0:25
85. D6b 2. Sine-Variable Rate And Depth 0:36
86. D6c 3. Sawtooth (Descending And Ascending) 0:50
87. D6d 4. Rectangular
88. G. Transient (Sawtooth With Transient Controlled Filter)
89. D7a 1. ----------------- 0:12
90. D7b 2. ----------------- 0:10
91. D7c 3. ------------------ 0:09
92. D7d 4. ------------------ 0:08
93. VIII. Tape Delay
94. D8 A. Single Repeat 0:13
95. D9 B. Multiple Repeat 2:55
96. -
97. D10 IX. Peace Three (Recap) 3:08

Running order of the main release. Pressings may split it differently.

• 1:05 Beaver & Krause - Low Frequency Sawtooth - Tuning Through Harmonics ('68)
• 47:41 Paul Beaver & Bernard L. Krause - The Nonesuch Guide To Electronic Music (1968) FULL ALBUM