PIANO · PIANO 200

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1. 1-01 1/1 6:31
2. 1-02 1/2 3:46
3. 1-03 1/3 4:40
4. 1-04 1/4 1:56
5. 1-05 1/5 4:59
6. 1-06 1/6 2:11
7. 1-07 1/7 3:08
8. 1-08 1/8 5:12
9. 1-09 1/9 2:26
10. 1-10 1/10 5:28
11. 1-11 1/11 3:18
12. 1-12 1/12 1:55
13. 1-13 1/13 6:09
14. 1-14 1/14 8:55
15. 1-15 1/15 1:55
16. 2-01 2/1 6:04
17. 2-02 2/2 2:07
18. 2-03 2/3 6:27
19. 2-04 2/4 1:07
20. 2-05 2/5 3:10
21. 2-06 2/6 3:17
22. 2-07 2/7 3:32
23. 2-08 2/8 4:24
24. 2-09 2/9 5:14
25. 2-10 2/10 3:05
26. 2-11 2/11 3:13
27. 2-12 2/12 6:44
28. 2-13 2/13 4:05
29. 2-14 2/14 3:23
30. 2-15 2/15 8:22
31. 2-16 2/16 8:58

"In 1996 a symbiotic relationship was set up in the public gallery space of Beaconsfield between visual artists David Crawford and Hayley Newman and sound artists [Mika Vainio](http://www.discogs.com/artist/Mika+Vainio) and [Ilpo Väisänen](http://www.discogs.com/artist/11329-Ilpo-V%C3%A4is%C3%A4nen) - [Pan Sonic](http://www.discogs.com/artist/Pan+Sonic). All four worked daily for five weeks linked by sound inputs and outputs. The live installation featured an industrial power climber, a video oscilloscope, Pan Sonic's precious sound machine, the typewriter, and the original prototype for Turbo Sound's earth-shaking Floodlight PA system. [...] The process was animated by the input of invited musicians and artists, each making a six hour injection into the mutating sound environment. [...] Over the five weeks,one hundred hours were recorded and mixed live by Pan Sonic from which these thirty tracks have been extracted." CD produced in a limited edition of 1000.