1. 1-1 1 (Beegee) 5:06
2. 1-2 Infover 5:59
3. 1-3 In Her Dream / Mu Is Running / Autumn Moon (Haiku For Mu) 10:54
4. 1-4 3particles 5:02
5. 1-5 Cochler 5:41
6. 1-6 Needles 6:06
7. 1-7 Bend Or Fold 5:46
8. 1-8 8 Windows (First Version) 8:37
9. 1-9 1000x 8:02
10. 1-10 Finja Falso Peixes 3:33
11. 1-11 For Gerard Klauder 3:13
12. 1-12 Kapla (An Except) 5:26
13. 2-1 Dopticn 5:43
14. 2-2 Stratagem (Distortus) 1:24
15. 2-3 Wonthaggi 1:12
16. 2-4 Sequenzen (Somehow Inspired By Kh Stockhausen) 6:32
17. 2-5 Done/Start 3:28
18. 2-6 (u)n(-)t(i)t(l)e(d) 6:07
19. 2-7 Sonarchy Sounding 7:17
20. 2-8 Duoic Ecneirepxe 5:02
21. 2-9 Music Pour Parking Payant 6:05
22. 2-10 Mouth.midnight 3:52
23. 2-11 By Winter. It Had To Come To An End 3:58
24. 2-12 Las Bas (Lower Depths) 3:06
25. 2-13 Lost Velo 3:36
26. 2-14 Obeliskrying 3:47
27. 2-15 Tone Shifter 4:50
28. Bonus Set
29. 3-1 1 (Beegee) 5:06
30. 3-2 Infover 5:59
31. 3-3 In Her Dream / Mu Is Running / Autumn Moon (Haiku For Mu) 10:54
32. 3-4 3particles 5:02
33. 3-5 Cochler 5:41
34. 3-6 Needles 6:06
35. 3-7 Bend Or Fold 5:46
36. 3-8 8 Windows (First Version) 8:37
37. 3-9 1000x 8:02
38. 3-10 Finja Falso Peixes 3:33
39. 3-11 For Gerard Klauder 3:13
40. 3-12 Kapla (An Except) 5:26
41. 4-1 Dopticn 5:43
42. 4-2 Stratagem (Distortus) 1:24
43. 4-3 Wonthaggi 1:12
44. 4-4 Sequenzen (Somehow Inspired By Kh Stockhausen) 6:32
45. 4-5 Done/Start 3:28
46. 4-6 (u)n(-)t(i)t(l)e(d) 6:07
47. 4-7 Sonarchy Sounding 7:17
48. 4-8 Duoic Ecneirepxe 5:02
49. 4-9 Music Pour Parking Payant 6:05
50. 4-10 Mouth.midnight 3:52
51. 4-11 By Winter. It Had To Come To An End 3:58
52. 4-12 Las Bas (Lower Depths) 3:06
53. 4-13 Lost Velo 3:36
54. 4-14 Obeliskrying 3:37
55. 4-15 Tone Shifter 4:50

Discs 3 and 4 are copies of 1 and 2, to "please pass on to another curious listener." Also includes 30 index cards: one for each of the CD tracks, containing biographical info on the musicians involved, and three with illustrations. Everything is packaged in a special paper box. 1-2 composed in Studios C&C (Antwerp) and Crfmw (Liege), 1998, Belgium. 1-3 recording, editing, additional sounds, mixing, mastering at trente oiseaux studio, 1999. 1-4 formed + recorded, August 1999. 1-5 is credited to Nosei Sakata (*0). 1-7 recorded Summer 1999 at Intransitive; based on a performance at WMFO, Tufts University Radio; dedicated to James Coleman and Richard Chartier. 1-8 excerpt from 43 min work; first presented as an installation at the ASU Art Museum Tempe AZ, 1999. 1-9 played live with Zoom Sampletrack ST-224 with prerecorded samples of laboratory equipment recorded with a high-gain surveillance contact microphone; dedicated to Sandy, who made it all possible. 1-11 thanks to Trey Jones for use of his computer. 1-12 small speakers emitting wire drones and incidental movements recorded in a mine shaft located near Kingston, New Mexico; mastered at the Watershed, Austin, Texas; thanks to Joe and Suzanne for the invitation to the Kingston dome. 2-1 constructed with a combination of analog modular synthesizer and synthesis software on a Macintosh G3. 2-3 conceived at night, executed by day… 2-5 made with a guitar and a Mac 3beam, September 1999. 2-6 made over a two day period using a Macintosh G3 with Cubase software, one Digetec Quad 2 and a cheap Walkman. 2-7 recorded live for the 90.3 FM Sonarchy radio broadcast at the Jack Straw Foundation studios, Seattle, WA. 2-10 recorded on the night of 08/20-21/1999. 2-13 created with tracking software/special process.

Artwork

Josh Russell

Artwork

Richard Chartier

Artwork

Steve Roden

Design

Richard Chartier

Photography By

Carmen Resendez